The Kodály Concept
The Kodály (click here for the correct pronunciation) concept was inspired by the philosophies of the Hungarian composer and educator, Zoltan Kodály (1882 – 1967). Throughout Kodály’s writings are the notions that a person cannot be complete without music and that music serves to develop a person on all levels – emotionally, spiritually and intellectually.
Kodály believed that every person has musical aptitude and that, ideally, a music education should begin as early as possible in a person’s life – firstly at home and then later within the school curriculum.
Kodály believed that singing should be the foundation of all music education.
“It is a long accepted truth that singing provides the best start to music education; moreover, children should learn to read music before they are provided with any instrument…even the most talented artist can never overcome the disadvantages of an education without singing” (Kodaly, 1974).
The use of the voice is one of the most defining features of the Kodály approach. The voice is the most accessible of all instruments and this makes it most suitable for musical instruction and can lead to a highly developed musical ear. By focusing on learning through engaging with music, singing, playing, moving and enjoying, music becomes part of the natural learning process.
Developmental, Sequential, Cumulative and Continuous Music Education
Kodály believed that musical instruction should reflect the way that children learn naturally. Through singing games, fun and play the child discovers the musical elements as they are presented sequentially and has the opportunity to enter the world of music through the creative development of the ear and the eye.
The Kodály Concept within the Australian Context
Since its introduction into the Australian context the influence of the Kodály concept has been significant in the areas of early childhood, primary and secondary education. Research and training have underpinned endeavours in the ACT, NSW, Queensland, Victoria, South Australia and Western Australia and have encouraged many teachers to strive for a better musical future for their students.
Kodály, Z. (1974). The Selected Writings of Zoltán Kodály. London: Boosey & Hawkes.
The Kodály Concept
After close consultation with stakeholders and careful consideration, we have made the difficult decision to postpone the 2020 Kodály Australia Conference until September/October 2022 to be held in Canberra, ACT. Having spent the best part of 2 years preparing for …
Kodály Qld would like to share the following online resources with all Kodály Australia members. We do ask that you don’t share any of the members-only links with anyone who is not a current member – instead, encourage them to …
We would greatly appreciate your time in completing the short survey below on the 2020 Kodály Australia Conference. Your thoughts and feedback are greatly appreciated and will contribute to the decision-making process as we assess the viability of running the …
The Kodály Australia National Council was delighted to receive impressive applications and nominations for the 2020 Deanna Hoermann Scholarship (DHS) and the Enid Scott Conference Award (ESCA). After a thorough review process, it is with great pleasure that I announce …
I hope this message finds you well and that the transition back to face to face teaching has been and continues to be positive for you and the children in your care. I’m writing with an update on the Kodály …